2007, Nilufar
Pages: 100
The publication explores the imaginative scope of Martino Gamper’s radical experiment in form and function, 100 Chairs in 100 Days. Initiated as a daily act of reinvention, the project turned discarded chair fragments into poetic, eccentric hybrids that challenged authorship, typology, and the emotional life of objects. Focused on the gathering of ninety-nine original pieces and a new, site-specific hundredth chair, the publication offers a concise visual and critical overview of a project that redefined contemporary ideas of reuse, improvisation, and design narrative.
