Table Scultura
Low table made of two wooden frame with polished brass plate cladding, sliding on the side.
Made of two monolithic blocks sliding on one other, the Scultura low table comes from the famous series ‘Plurimi’ (1970-1982). The name is intended as a tribute to the artist Emilio Vedova. ‘Metamorphic’ pieces of furniture with volumes that have been designed to play with the evolutionary possibilities of a single form, and to vary in space, in a continuous metamorphosis with light and the environment. This furniture also meets practical needs, by solving the nagging problem of space. It is characterized by the ease of the rapid and unexpected changes it facilitates, in addition to the multiplicity of uses.
Italy, 1970
Plurimi series
Wooden frame and polished brass plate cladding
Engraved signature
Recorded by the Archivio Gabriella Crespi, Milan
Literature: Gabriella Crespi. Il segno e lo spirito. Mobili plurimi, sculture e gioielli, a cura di C. Cunaccia, catalogo della mostra, Mondadori Electa, Milano, 2011; Gabriella Crespi. Spirito e Materia, Arte e Design, Odoya, Bologna, 2018
w 134 x d 89 (maximum opening 129) x h 40 cm
w l52.8 x d 35 (maximum opening 50.78) x h 15.7 in
Made of two monolithic blocks sliding on one other, the Scultura low table comes from the famous series ‘Plurimi’ (1970-1982). The name is intended as a tribute to the artist Emilio Vedova. ‘Metamorphic’ pieces of furniture with volumes that have been designed to play with the evolutionary possibilities of a single form, and to vary in space, in a continuous metamorphosis with light and the environment. This furniture also meets practical needs, by solving the nagging problem of space. It is characterized by the ease of the rapid and unexpected changes it facilitates, in addition to the multiplicity of uses.
Italy, 1970
Plurimi series
Wooden frame and polished brass plate cladding
Engraved signature
Recorded by the Archivio Gabriella Crespi, Milan
Literature: Gabriella Crespi. Il segno e lo spirito. Mobili plurimi, sculture e gioielli, a cura di C. Cunaccia, catalogo della mostra, Mondadori Electa, Milano, 2011; Gabriella Crespi. Spirito e Materia, Arte e Design, Odoya, Bologna, 2018
w 134 x d 89 (maximum opening 129) x h 40 cm
w l52.8 x d 35 (maximum opening 50.78) x h 15.7 in
Code: #V6237
Table Scultura
Low table made of two wooden frame with polished brass plate cladding, sliding on the side.
Made of two monolithic blocks sliding on one other, the Scultura low table comes from the famous series ‘Plurimi’ (1970-1982). The name is intended as a tribute to the artist Emilio Vedova. ‘Metamorphic’ pieces of furniture with volumes that have been designed to play with the evolutionary possibilities of a single form, and to vary in space, in a continuous metamorphosis with light and the environment. This furniture also meets practical needs, by solving the nagging problem of space. It is characterized by the ease of the rapid and unexpected changes it facilitates, in addition to the multiplicity of uses.
Italy, 1970
Plurimi series
Wooden frame and polished brass plate cladding
Engraved signature
Recorded by the Archivio Gabriella Crespi, Milan
Literature: Gabriella Crespi. Il segno e lo spirito. Mobili plurimi, sculture e gioielli, a cura di C. Cunaccia, catalogo della mostra, Mondadori Electa, Milano, 2011; Gabriella Crespi. Spirito e Materia, Arte e Design, Odoya, Bologna, 2018
w 134 x d 89 (maximum opening 129) x h 40 cm
w l52.8 x d 35 (maximum opening 50.78) x h 15.7 in
Made of two monolithic blocks sliding on one other, the Scultura low table comes from the famous series ‘Plurimi’ (1970-1982). The name is intended as a tribute to the artist Emilio Vedova. ‘Metamorphic’ pieces of furniture with volumes that have been designed to play with the evolutionary possibilities of a single form, and to vary in space, in a continuous metamorphosis with light and the environment. This furniture also meets practical needs, by solving the nagging problem of space. It is characterized by the ease of the rapid and unexpected changes it facilitates, in addition to the multiplicity of uses.
Italy, 1970
Plurimi series
Wooden frame and polished brass plate cladding
Engraved signature
Recorded by the Archivio Gabriella Crespi, Milan
Literature: Gabriella Crespi. Il segno e lo spirito. Mobili plurimi, sculture e gioielli, a cura di C. Cunaccia, catalogo della mostra, Mondadori Electa, Milano, 2011; Gabriella Crespi. Spirito e Materia, Arte e Design, Odoya, Bologna, 2018
w 134 x d 89 (maximum opening 129) x h 40 cm
w l52.8 x d 35 (maximum opening 50.78) x h 15.7 in
Code: #V6237